Conducted Repertoire (Major)
Adams— Son of Chamber Symphony* (University of California, Los Angeles, 12/16 and 3/17; Adams residency)
Adès— Chamber Symphony* (Eastman School of Music, 1/12)
Barber— Adagio* (Pleven Philharmonic, Bulgaria, 7/15)
Beethoven— Symphony No. 1* (UCLA, 3/15); Symphonies Nos. 2, 4, 5, 6, and 7* (ESM, 11/11); Leonora Overture No. 3; Egmont Overture* (UC Irvine, 3/19, Pleven, ESM); Piano Concerto Nos. 2 and 3
Berg— Sieben frühe Lieder* (ESM, 11/10)
Berio— Folk Songs* (What’s Next? Ensemble, Los Angeles, 10/15); Ricorrenze* (University of Southern California, 10/07)
Borodin— Polovetsian Dances* (Aurora Symphony, 12/12)
Brahms— Violin Concerto* (UCLA, 12/14); Piano Concerto No. 1* (ESM, 1/12); Symphony No. 2* (Saratoga Symphony, 8/18); Symphonies (all)
Britten— Serenade for Tenor, Horn, and Strings* (UCLA, 5/16); The Rape of Lucretia* (Opera Brittenica, 10/13); Les Illuminations (Boulder Chamber Orchestra, 11/13)
Castelnuovo-Tedesco— Concerto for Guitar* (USC, 10/07)
Debussy— Prélude à l’après-midi d’un faune* (UCLA, 11/16)
Dove— Mansfield Park* (Opera UCLA, 6/17)
Dvořak— Symphony No. 9* (UCLA, 3/15; Pleven Philharmonic, 7/15); Symphony No. 8 (UC Irvine, 3/19); Slavonic Dances
Elgar— Enigma Variations* (Pleven Philharmonic, 7/15)
de Falla— Suite No. 1 from The Three-Cornered Hat (Saratoga Symphony, 8/19)
Fauré— Requiem* (Palo Alto Philharmonic, 5/14)
Gershwin— Concerto in F* (UC Irvine, 3/19)
Golijov— Ayre* (UCLA, 6/15)
Grieg— Piano Concerto* (UCLA, 3/15)
Hartke— Meanwhile* (UCLA, 12/14)
Herrmann— Suite from Vertigo* (UCLA, 11/16)
Humperdinck— “Dream Pantomime” from Hansel und Gretel* (Aurora, 12/12)
Ibert— Concertino da camera* (UCLA, 6/16)
Ives— The Unanswered Question* (ESM, 2/12)
Knussen— Ophelia Dances*; Trumpets* (ESM, 12/10; Knussen residency)
Lesemann— Violin Concerto* (ESM, 2/11)
Ligeti— Piano Concerto
Liszt— Les Préludes* (UCLA, 6/15)
Lutosławski— Concerto for Orchestra
Mahler— Symphony No. 3 (Mvt. I); Symphony No. 5 (Mvt. I); Symphony No. 1 (Mvt. III)
Maxwell Davies— 8 Songs for a Mad King* (ESM, 2/11); Antechrist* (ESM, 10/10)
Mendelssohn— Violin Concerto* (University of Denver, 1/13); Symphony No. 4
Mozart— Così fan tutte* (Opera UCLA, 2/16); Symphony No. 35 “Haffner”* (UCLA, 6/16); Overture to Die Zauberflöte* (ESM, 02/12); Violin Concerto No. 5* (University of Denver, 11/12); Symphonies Nos. 25*, 29*, 33,* 39, 40, 41; Clarinet Concerto; Flute Concerto; Flute and Harp Concerto; Bassoon Concerto* (UCLA, 5/17)
Murail— Allégories*; Winter Fragments* (ESM, 03/11; Murail residency)
Mussorgsky/Ravel— Pictures at an Exhibition* (ESM, 04/12)
Palestrina/Stokowski— Adoramus te* (Aurora, 12/12)
Poulenc— Organ Concerto in G minor* (Palo Alto Philharmonic, 5/14)
Puccini— Preludio sinfonico* (UCLA, 6/15)
Purcell— Dido & Aeneas* (Art of Opera Foundation, 10/09)
Rachmaninov— Piano Concerto No. 2* (UCLA, 12/15)
Ravel— Le tombeau de Couperin* (ESM, 4/12); Mother Goose Suite
Reinecke— Flute Concerto* (UCLA, 6/16)
Rimsky-Korsakov— Scheherazade
Rossini— Overture to Guillaume Tell* (UCLA, 6/17); Overture to La gazza ladra* (ESM, 11/11); Overture to Il barbieri Siviglia (6/15)
Rota— Ballata per Corno e orchestra “Castel del Monte” (UCLA, 5/17)
Sarasate/Bizet— Carmen Fantasie* (Aurora, 12/12)
Schoenberg— Pierrot Lunaire* (Playground Ensemble performances, 2/14)
Shostakovich— Piano Concerto No. 1* (UCLA, 4/15); Cello Concerto No. 1* (UCLA, 6/17); Symphony No. 5 (Mvts. II* and IV*, ESM, 2/12); Symphony No. 10
Saint Saëns— “Danse bachanale” from Samson et Delilah* (Menlo School, 10/02)
Sondheim— Sweeney Todd* (Eso Theatricals, Budapest, 9/16; English language Hungarian premiere)
Stockhausen— Kontra-Punkte* (ESM, 4/11)
Strauss, J.— Die Fledermaus* (UC Irvine, 5/19); Overture to Die Fledermaus
Strauss, R.— Tod und Verklärung; Ein Heldenleben
Stravinsky— Firebird Suite* (UCLA, 3/17); The Rite of Spring; L’histoire du soldat; Octet, Pulcinella Suite (Pleven Philharmonic, 7/15)
Stucky— Boston Fancies* (UCLA, 12/15)
Tann— Shakkei (ESM Women in Music tour, 4/11)
Tchaikovsky— Symphony Nos. 1 and 4, Piano Concerto No. 1, Overture to Romeo and Juliet
Verdi— Overture to La forza del destino; La traviata
Villa-Lobos— Bachianas Brasilieras No. 5* (ESM, 09/10)
Vivaldi— Piccolo Concerto* (Menlo School, 11/01)
Wagner— Preludes (Act I, Act III) and Liebestod from Tristan und Isolde* (UCLA, 11/16); Preludes from Lohengrin (Act III), Holländer, Tannhäuser
Webern— Five Pieces for Orchestra
Weill— Down in the Valley* (Opera UCLA, 6/15)
*Denotes a public performance, rather than a reading or lab orchestra lesson. This list is not exhaustive, and does not include scores I’ve studied but not conducted with orchestra, e.g. Wozzeck, nor does it include my own pieces or those by student composers.